Ayra is born from the gesture of an embrace. Its curved back gently envelops, creating a sense of refuge—not as a boundary, but as welcome. In the armchair, this gesture becomes lower and contemplative, an invitation to pause. In the dining chair, it rises in precise proportions, supporting the body without losing the design’s lightness. There is sculpture in the form, never rigid: each curve is conceived to follow the body, each angle dialogues between ergonomics and beauty. Ayra does not impose. It approaches. It is a delicate, essential presence.
